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Ring Composition And The Digressions Of Exodus: The 'Legacy' Of The 'Remnant'
English Studies 2001 82 (4)289-307 Abstract: Ring composition is a classical structuring device that has been recognized often in Beowulf, but never in Exodus. 1 Indeed, since the publication of John Leyerles seminal article on interlace patterning, critics commonly view the disjointed and digressive narrative of Beowulf in the context of over-arching structures, whereas no similarly redeeming rationale has yet been proposed for the digressive narrative of Exodus. In the most notorious of the poems digressive pas-sages, the stories of Noah and Abraham intrude upon the narrative of the Red Sea crossing just as the Israelites begin their march into the sea. A similar disruption occurs at the climax of the poem, where the poet interrupts the joyful emergence from the sea with a homiletic digression on the Mosaic Law and the Day of Judgment. Early scholarship treated both episodes as interpolations, and although critics have since amassed a wealth of typological connections to account for the digressive material, these passages continue to be perceived by many as structural flaws in an otherwise excellent poem.
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